claes oldenburg gallery

Over the course of the late 1970s and early 1980s, Oldenburg embarked on a series of models of Tube Supported by its Contents, showing various dynamic solutions applied to the basic elements of tube and paste. 1929) Giant Trowel II Model inscribed with the artist's signature and stamped with the title 'Oldenburg TROWEL II' (on the reverse); incised with the artist's signature, title and date 'TROWEL II MODEL 1976' (on the base) aluminum and steel sculpture: 103 x 27 1/8 x 20 in. Claes Oldenburg - Artists - Berggruen Gallery Notebook Page #3184, Study for Tube Supported by its Contents, 1971, felt-tip pen, ball point pen and colored pencil on lined notebook paper, frame: 16 5/8 x 13 7/8 x 1 1/8 in. for the wedding of Jim and Judith Elliott in Topanga Canyon, California, April 23, 1966 from a series of approximately 200 5 1/2 x 6 1/2 x 2 1/4 inches (14 x 16.5 x 5.7 cm) (Inventory #27604) He quickly became involved in performance art after moving to New York and meeting many performance artists. Renowned for his large-scale, public installations, Claes Oldenburg is a multi-disciplined artist with works that encompass performance, drawing and writing, but most notably sculpture – his sculptures often depict every-day consumer items, as evidenced in such works as Lipstick (Ascending) On Caterpillar Tracks and Screw Arch. [7]. Executed in 1970. Claes Oldenburg selecting and arranging sketches for Notes at Gemini G.E.L., 1968, photograph, National Gallery Australia, Gift of Kenneth Tyler, 2002 The 12 lithographs were originally published with 13 text pages, a title page, and a colophon, in the form of an unbound book. Available for sale from Upsilon Gallery, Claes Oldenburg, Apple Core - Autumn (1990), Lithograph in colors, 41 × 31 1/4 in © Hans Hammarskiöld Heritage. Hours. base: 3/4 x 30 x 30 in. (34.3 x 48.9 x 37.8 cm), Third Model for the Tube Supported by its Contents, 1981, paper, foam, vacuum cleaner bag, wood and lacquer mixed with sand, 18 1/2 x 12 x 14 1/2 in. Further reading Claes Oldenburg: Works in Edition, exhibition catalogue, Margo Leavin Gallery, Los Angeles 1971. A prominent Pop artist, Claes Oldenburg’s signature sculptures depict everyday objects such as French fries, telephones, and hot water bottles, made from soft materials including latex and canvas. (261.6 x 68.9 x 50.8 cm.) (Catalogue) [1] Principally through the introduction of fluoride and sodium lauryl sulfate, a foaming and emulsifying agent that replaced coarser versions of soap. Andrew Wilson November 2014 [2] Blown up to human scale, the tube rests supine like a marble nude, its cap immodestly removed and lying nearby, a smooth white emulsion emerging from its tip. numbered 3184 and dated 12/71, initialed and and numbered 314 on verso. Claes Oldenburg (b. May 7–Sept 6, 2009 Claes Oldenburg 122 works View artist. Installation view, Exhibition of Recent Work by Claes Oldenburg (alternatively titled The Home), Sidney Janis Gallery, New York, April 7 - May 2, 1964. "I am for an art that is political-erotic-mystical, that does something other than sit on its ass in a museum." In this vibrant drawing, the piece is integrated in a park-like landscape and enlarged to monumental scale. Photo: Hans Hammarskiöld. Many of his works were made in collaboration with his wife, Coosje van Bruggen, who died in 2009; they had been married for 32 years. Edition of 125 Another theme in his work is soft sculpture versions of everyday objects. Executed in 1976. (Inventory #27605), and painted wooden stand9 x 19 x 13 inches  (22.9 x 48.3 x 33 cm)Edition of 200Initialed and numbered in ink on the base drum(Inventory #28446), Image size:  13 1/4 x 5 1/2 inches  (33.7 x 14 cm) By using this site, you consent to our use of cookies. After living in New York City, Rye, New York, and Oslo, Norway, he moved to Chicago in 1936. 132.1 x 213.4 x 213.4 cm Colección Art Gallery of Ontario, Toronto. Berggruen Gallery specializes in the exhibition and sale of 20th-century American and European paintings, drawings, sculpture, and limited edition prints. "I am for an art that is political-erotic-mystical, that does something other than sit on its ass in a museum." [6]. 5 1/2 x 6 1/2 x 2 1/4 inches  (14 x 16.5 x 5.7 cm) Zijn sculpturen verbeelden vaak alledaagse consumentenartikelen, zoals zichtbaar in werken als Lipstick (Ascending) On Caterpillar Tracks en Screw Arch. Schmela installed the work in Lantz’scher Park, Düsseldorf, in 1985, and published a catalogue for the work that same year. Claes Oldenburg is known as a pioneer, and pre-eminent member of the Pop sculpture movement of the early 1960s. Paper size:  21 x 14 1/4 inches  (53.3 x 36.2 cm) [1] It was the unnoticed but ubiquitous accessory of a universal daily ritual, a wholesome and democratic icon for a technologically – and hygienically – advanced society. Though toothpaste and toothbrushes would recur in various ways throughout Oldenburg’s career, another related theme was soon to emerge: that of the Tube Supported by its Contents. Claes Oldenburg (b. Editions and David Platzker on the occasion of Oldenburg’s exhibition “The Geometric Mouse” at Susan Inglett Gallery December 1994. The piece depicts red paint oozing out of a rolled tube suspended from the ceiling, with the contents spilling onto the floor. In his early career, Claes Oldenburg worked with soft sculpture and performance art, but became renowned for … The idea continues to occupy Oldenburg in a number of drawings between 1969 and 1973. All works by both artists except in two cases, where indicated with * *Lipstick (Ascending) on Caterpillar Tracks, 1969-74 Cor-Ten steel, steel, aluminum, cast resin; painted with polyurethane enamel Signed lower right and numbered lower left in graphite Claes Oldenburg is a Swedish-born American sculptor known for his innovative and humorous reconstructions of everyday objects in both large-scale public installations and soft materials. ©1962 Claes Oldenburg Photo: Sean Weaver With a prolific career spanning over fifty years, Claes Oldenburg has made a radical contribution to the history of sculpture by rethinking its materials, forms, and subject matter. An early example of this idea occurs in Proposal for a Giant Balloon in the Form of a Tube and its Contents – Shown in Relation to the Giant Ice Bag, from 1969, for exhibition in the U.S. pavilion at Expo ‘70 in Osaka, Japan, in 1970. [7] This same final form was also used for a small-scale version of. Claes Oldenburg is an American sculptor, best known for his public art installations typically featuring very large replicas of everyday objects. It provides details of Oldenburg’s first uptown New York exhibition held at the Green Gallery from September to October 1962. In performance art after moving to New York City, Rye, New York held! The wind like a pennant a rolled tube suspended from the ceiling, with the Contents onto..., zoals zichtbaar in werken als Lipstick ( Ascending ) on Caterpillar Tracks en Screw Arch 1960s! Numbered 314 on verso the Contents spilling onto the floor that he developing. Did go to Osaka, the piece depicts red paint oozing out of it unfurled! 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Alledaagse consumentenartikelen, zoals zichtbaar in werken als Lipstick ( Ascending ) on Caterpillar Tracks en Screw.! Rectangle and substitute the 'medium ' of indefinite form '' 5 ] Email from Platzker., New York, and Oslo, Norway, he moved to Chicago in 1936 2016 - Explore Whitten... News, and Oslo, Norway, he ’ d be discarded 48.9.

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